Felipe returns to his old house in the horse breeding farm where he grew up, during the prayers of his father’s novena. His mother Sandra, his older brother Sebastián and his 10-year-old nephew, Sebas, wait for him there. When a horse named Porto disappears, the family’s reunion detonates confrontations that evoke a hostile past. His father’s spirit in the form of water roams through the pipes and floods the house. Felipe becomes interested in the world of horses after observing the way that Jorge, the deaf tamer hired by his brother, trains the animals. Porto is found, forced back to the farm, then gets very sick. Felipe decides to bring him into the house and takes care of him. He recognizes the beast inside himself and the being inside Porto, defying the power dynamics of his upbringing and finding a different place within his family.

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Man is manipulated into thinking his wife is unfaithful and abandons her, taking one of their two sons with him.

When Martin is about to be expelled from some literature courses, an unexpected event gives a turn to his uncertain future as a writer. Taking advantage of the absence of his neighbor, a consecrated novelist who entrusts him with the care of his cat, Martín steals his identity and some pages of his latest novel, presented in the school as a result of his own work. As a result of this, the teacher congratulates him publicly and the girl he is in love begins to look at him with different eyes.

When his abusive father is about to be taken off life support, Joaquin avoids the hospital and escapes with his best friend, while his wife Lucia urges him to go say goodbye. Joaquin must decide whether to face the past or keep running.

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Within the surroundings of a misty dreamscape, Tuza rows her small wooden boat from one bourgeois living room to the next, casting her net to fish for the treasures that are her livelihood. She is helped by Justino, a superstitious and cautious man whose wife Luvina feels trapped in her home, where she is determined to shoot all the raucous birds out of the sky. When Justino has a dreadful accident, Tuva’s and Luvina’s paths collide as they try to find his corpse before it rots away and is devoured by buzzards.　　Part tragic love story, part psychological drama, Before the Buzzards Arrive is an oneiric, magical-realist fantasia that examines the ways in which people – and particularly women – are confined by the socially constructed roles they come to inhabit. Further to this, the film wonders poignantly whether escape from one such oppressive set of circumstances merely results in becoming trapped in another. Unfolding like a delicate reverie in a universe fully informed by its own logic, it accomplishes what any dream worth its salt does: it haunts us with notions that make the real world seem fragile, bizarre and at times grotesque.

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Javier is a doctor in his thirties, whose enthusiasm doesn't diminish despite working in a chaotic emergency room. One day he decides to go to the States, because Maria, his beautiful, sophisticated and not so happy wife, convinced him of looking for the American dream. Javier stays home to sell the house, the furniture and their car. That's how he meets Julia, a veterinarian who purchases his car. Now Javier is ready to leave. Just before going to Miami, his girlfriend calls him and confesses falling in love with somebody else, putting an end to their relationship. Homeless, without a job and without a girlfriend, he moves into Luis and Laura's living room, a young couple who have recently become parents. Over there, Javier's life goes from a deep depression to the obsession of finding Maria's lover. From that moment on, Javier becomes friends with Julia and her son, Gabriel. Both of them start helping Javier to get over his breakup and move on. Javier goes through all the stages of ...

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